José Joaquim dos Santos - In Parasceve (Enrico Onofri)

Information

Composer: José Joaquim dos Santos (1747—1801)

1. In Primo Nocturno: Responsorium I. Omnes amici mei dereliquerunt me
2. In Primo Nocturno: Responsorium II. Velum templi scissum est
3. In Primo Nocturno: Responsorium III. Vinea mea electa
4. In Secundo Nocturno: Responsorium IV. Tamquam ad latronem existis
5. In Secundo Nocturno: Responsorium V. Tenebrae factae sunt
6. In Secundo Nocturno: Responsorium VI. Animam meam dilectam tradidi
7. In Tertio Nocturno: Responsorium VII. Tradiderunt me
8. In Tertio Nocturno: Responsorium VIII. Jesum tradidit impius
9. In Tertio Nocturno: Responsorium IX. Caligaverunt oculi mei

Raquel Alão, soprano

Rita Filipe, alto

Rodrigo Carreto, tenor

Hugo Oliveira, bass

Real Câmara

Officium Ensemble

Enrico Onofri, conductor

Date: 2025

Label: Passacaille

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 In the latter half of the 18th century, the Portuguese court saw the emergence of distinctive instrumental practices within its sacred repertoire. Among these innovations were works composed for Holy Week that featured concertante violas but conspicuously omitted violins. This unusual instrumentation became a hallmark not only of daily court music but also of Portuguese music as a whole.

This tradition likely reflects the profound influence of Neapolitan music in Portugal, aligning with a broader practice of incorporating solo bass instruments to enhance the solemnity of liturgical occasions, such as Holy Week and All Souls’ Day.

One of the most notable composers of the Patriarchal Chapel to embrace this style was José Joaquim dos Santos. Born in Óbidos in 1747, he entered the Patriarchal Seminary in 1754, studying under the renowned Neapolitan composer David Perez. By 1763, Santos had joined the seminary’s teaching staff, where he remained a central figure until his death in 1801. His work exemplifies the rich interplay of local tradition and Neapolitan influence that defined this extraordinary musical period.

This second CD by the Real Câmara orchestra presents, in a world premiere, the Good Friday Responsories for two concertante violas, bassoon, cello and double bass

High Resolution 24-bit / 192 kHz