- Jean-Baptiste Lully - Ballet de Xerse, LWV 12: Overture
- Francesco Cavalli - Xerse, Act I, Scene 10: Aria. Fiamma che accesa fu
- Jean-Baptiste Lully - Ballet de Xerse, LWV 12, Act V Final entrance: Gigue pour Bacchus
- Jean-Baptiste Lully - Ballet de Xerse, LWV 12, Act V Final entrance: Rondeau pour les mesmes
- Theobaldo di Gatti - Scylla, Act V Scene 1: Aria. Où vais-je ? Qu'ai-je fait !
- Theobaldo di Gatti - Coronis: Overture
- Paolo Lorenzani - Nicandro e Fileno, Act III Scene 3: Aria. Lassa far che degg'io
- Paolo Lorenzani - Ben ti sta folle mio cuore
- Theobaldo di Gatti - Coronis, Prologue: Air
- Theobaldo di Gatti - Scylla, Act IV Scene 3: Air
- Theobaldo di Gatti - Scylla, Act IV Scene 3: Rigaudons
- Antonia Bembo - Produzioni Armoniche: Air. Ha ! Que l'absence est un cruel martyre
- André Campra - Le Carnaval de Venise, Act IV Scene 1: Sinfonia Orfeo nell'inferi
- Jean-Baptiste Stuck - Méléagre, Act IV Scene 4: Prélude de Diane
- Jean-Baptiste Stuck - Méléagre, Prologue Scene 1: Aria. C'est ici le brillant séjour
- Jean-Baptiste Stuck - Méléagre, Prologue Scene 2: Aria. Divin Père de l'harmonie
- Giovanni Antonio Guido - S'armi pure invitta e fiera
- André Campra - Le Carnaval de Venise, Act II Scene 3: Canaries (Bonus Track)
- Jean-Baptiste Stuck - Pur ti connobbi (excerpts)
- André Campra - Les Fêtes vénitiennes, Second entrance Scene 7: Marche de la Fortune
- André Campra - Les Fêtes vénitiennes, Third entrance Scene 3: Air des Polichinelles
- Michel de la Barre - La Vénitienne, Act III Scene 5: Gigue
- André Campra - Les Fêtes vénitiennes, Third entrance Scene 3: Chaconne
- Jean-Baptiste Stuck - Héraclite et Démocrite: Aria. Pleurez, mes tristes yeux
- Jean-Baptiste Lully - Atys, LWV 53, Act I Scene 3: Aria. Quand le péril est agréable - Chansonnier de Maurepas: Baptiste est fils d'une meunière (Bonus Track)
La Palatine
Marie Théoleyre, soprano & direction
Guillaume Haldenwang, harpsichord & direction
Date: 2025
Label: harmonia mundi
_____________________
In its fascination with Italy, nurtured by all that was best in Florence, Rome and Venice, 17th-century France saw the blossoming of a new national art. Though Lully in his pomp might seem to have subdued the musical world of his time, the ensemble La Palatine has helped us to restore it in a quite different constellation – one that is far more diverse, overflowing with imaginative riches.
La Palatine is a dynamic baroque ensemble founded in 2019 and led by Marie Théoleyre and Guillaume Haldenwang. Inspired by the spirited Princess Palatine, it specializes in 17th-century French and Italian repertoire, aiming to engage audiences with expressive, colorful performances. The group often blends early music with modern French songs and designs concerts as lively, theatrical experiences. La Palatine has performed at major festivals such as Ambronay and York, and won the F.J. Aumann Prize at the H.I.F. Biber Competition. Supported by leading cultural institutions, the ensemble released its debut album in 2022 and a second in 2025.
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