- Anna T. Szabó - The Song of the Wood Nymphs
- Claude Debussy - Syrinx, L. 129
- Anna T. Szabó - Echo's First Dance
- Elizabeth Barrett Browning - A Musical Instrument
- Anna T. Szabó - Sacrifice (The First Song of Fulvia, Nymph of Spring)
- Claude Debussy - Prélude à l'après-midi d'un faune, L. 86 (Arr. for Flute and Piano by Karl Lenski)
- Anna T. Szabó - Instructions on Steaming Your Face
- Anna T. Szabó - En Garde
- Anna T. Szabó - Spring's Fashion Week (Fulvia's Song)
- Jules Mouquet - Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": I. Pan et les bergers
- Anna T. Szabó - There is nothing but
- Anna T. Szabó - The Nymph to the Faun
- Jules Mouquet - Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": II. Pan et les oiseaux
- Anna T. Szabó - The Air is Full
- Anna T. Szabó - Spring Carnival (A Fragment)
- Jules Mouquet - Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": III. Pan et les nymphes
- Anna T. Szabó - The Song of Free Nymphs
- Anna T. Szabó - Diana's Dance
- Anna T. Szabó - The Cruel Nymph
- Anna T. Szabó - Song of Nymphs
- Anna T. Szabó - The Thirst (Song of Lorelei, the Water Nymph)
- André Jolivet - Chant de Linos
Noemi Gyori, flute
Zoltán Fejérvári, piano
Kate Fleetwood, narration
Date: 2025
Label: Rubicon
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Greek mythology has profoundly shaped society, influencing cultural norms, traditions, and even giving rise to celebrated works like those of Claude Debussy, which redefined Western art music and revolutionized the flute’s role within it.
At the heart of The Afternoon of a Nymph are Debussy’s masterpieces, complemented by Jules Mouquet’s La Flûte de Pan and André Jolivet’s Chant de Linos. Each is paired with original poetry by Anna T. Szabó, and to provide historical literary context, Elizabeth Barrett Browning’s A Musical Instrument, while excerpts from Leonardo De Lorenzo’s Suite Mythologique, Op.38 add further musical texture with its first movement, Pan.
Noemi Gyori is a celebrated flautist on modern and baroque flutes, hailed internationally for her ‘phenomenal technique and sparkling play of colours’ (Opus Klassiek), ‘rich tonal repertoire and enchanting melodic shaping’ (Turun Sanomat), and ‘great skill and intensity’ (Flute Journal).
High Resolution 24-bit / 48-96 kHz



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