Composer: Wolfgang Amadeus Mozart
- Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative "Giunse alfin il momento"
- Le nozze di Figaro, K. 492, Act IV Scene 10: Aria "Deh vieni, non tardar"
- Cosi fan tutte, K. 588, Act I Scene 11: Recitative "Temerari, sortite"
- Cosi fan tutte, K. 588, Act I Scene 11: Aria "Come scoglio"
- Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative "Welcher Wechsel herrscht"
- Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria "Traurigkeit ward mir zum Lose"
- Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative "Oh smania! Oh furie!"
- Idomeneo, re di Creta, K. 366, Act III Scene 10: Aria "D'Oreste, d'Aiace"
- Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito
- Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante
- Symphony No. 35 in D Major, K. 385 "Haffner": III. Menuetto - Trio
- Symphony No. 35 in D Major, K. 385 "Haffner": IV. Presto
- La clemenza di Tito, K. 621, Act II Scene 15: Recitative "Ecco il punto, o Vitellia"
- La clemenza di Tito, K. 621, Act II Scene 15: Aria "Non più di fiori"
- Idomeneo, re di Creta, K. 366, Act II Scene 2: Aria "Se il padre perdei"
- Ch'io mi scordi di te?, K. 505: Recitative "Ch'io mi scordi di te?"
- Ch'io mi scordi di te?, K. 505: Aria "Non temer, amato bene"
Anna Prohaska, soprano
Ensemble Resonanz
Riccardo Minasi, conductor
Date: 2025
Label: harmonia mundi
_____________________
In this superb programme structured around major pieces composed in the last ten years of Mozart’s life, Anna Prohaska and Riccardo Minasi sweep away the image of the well-mannered figure that tradition has tended to impose. They paint a bracingly complex portrait of the Salzburger after his move to Vienna, subtly blending the maestro’s historical expertise with the vigour and freshness of Resonanz, here in electrifying form.
High Resolution 24-bit / 96 kHz



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