Arcangelo Corelli; George Frideric Handel - Sonatas (Michaela Koudelková)

Information

Composer: Arcangelo Corelli; George Frideric Handel

• Corelli - Sonata No. 4 in F Major, Op. 5
• Handel - Recorder Sonata in D Minor, HWV 367a
• Handel - Sonata No. 5 in G Major, Op. 1, HWV 363b
• Handel - Flute Sonata No. 1b in E Minor, Op. 1, HWV 359b
• Corelli - Sonata No. 6 in C Major, Op. 5
• Handel - Sonata No. 13 in F Major, Op. 1, HWV 371
• Corelli - Sonata No. 12 in D Minor, Op. 5 "Follia"

Michaela Koudelková, recorders

Monika Knoblochová, harpsichord

Libor Mašek, baroque cello

Jan Krejča, theorbo & baroque guitar

Date: 2025

Label: Supraphon

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The name of the young Czech virtuoso Michaela Koudelková should be committed well to memory. She has far more going for her than just the names of her teachers (Peter Holtslag, Erik Bosgraaf). She is a winner of the Tel Aviv Recorder Competition and a finalist of the York Early Music International Young Artists Competition in England, and her solo recitals have included an appearance at the prestigious Oude Muziek Festival in Utrecht. Her Supraphon debut, for which she has chosen masterworks by Handel and Corelli, showcases her uncompromising technique, but above all it shows her supreme musical sensitivity and her interpretive stylishness, including the ability to improvise, participating in the recreation of notated works. Of all the sonatas listed on the album, only one is intended for her instrument; the rest were originally for violin or transverse flute. Of course, a characteristic of the baroque era was great freedom in the choice of solo instruments, as is clear from period printed editions, and the recorder was very popular at the time. Besides the most common alto and soprano recorders, the recording also features an instrument with a darker timbre, the voice flute in D, which was popular in England, and the sixth flute, pitched an octave higher and often used for music played between acts of Handel’s London operas. Besides sonatas by Handel, the soloist has also chosen three sonatas from Corelli’s Opus 5. Over the centuries, the art of improvisation has been taught using the passaggi in the slow movements of the twelve violin sonatas in this iconic collection. The last and most famous sonata, “Follia”, is the brilliant and rather experimental climax of the album, combining the creativity of the composer with that of the performers.

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