Composer: Friedrich Wilhelm Zachow
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Cantus Thuringia
Capella Thuringia
Bernhard Klapprott, conductor
Date: 2026
Label: CPO
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As the longtime organist at St. Mary’s Church in Halle, Friedrich Wilhelm Zachow provided Georg Friedrich Handel with a comprehensively versatile musical education. Rooted in the rich traditions of the town piper guild, Zachow was far more than a routine church musician; he was an inventive composer who keenly observed and influenced the musical trends of his era. His cantatas seamlessly weave contemporary innovations with enduring Lutheran chorale traditions, giving his sacred compositions a distinctive, timeless warmth. This recording highlights Zachow's artistic legacy, illustrating how his expressive craft and mastery of traditional forms shaped the foundations of German Baroque Christmas music.
Friedrich Wilhelm Zachow (1663–1712) was a German Baroque composer and organist at Halle’s Market Church, celebrated for his dramatic cantatas and counterpoint mastery. Influenced by Johann Theile and Erdmann Neumeister, Zachow crafted elaborate vocal and keyboard compositions that left a lasting imprint on German church music. Renowned as the primary teacher of George Frideric Handel, he instructed the young master in counterpoint and multiple instruments, profoundly shaping Handel’s compositional style and instrumentation techniques. Zachow’s pedagogical excellence and artistic legacy influenced key contemporary figures, securing his pivotal role in bridging late 17th-century German traditions with early 18th-century Baroque masterworks.
German keyboardist and conductor Bernhard Klapprott (b. 1964) studied in Cologne and Amsterdam under masters including Bob van Asperen and Ewald Kooiman, winning 1st prize at the 1991 Bruges International Organ Competition. An internationally acclaimed harpsichordist, clavichordist, and organist, his award-winning discography spans historical keyboard literature by Tomkins, Bach, and Benda. As co-founder of Cantus Thuringia & Capella, Klapprott specializes in premiering lost Central German Baroque sacred works and directing stage productions with historical acting techniques. Professor of early keyboard instruments at the Weimar Conservatory and the University of the Arts Bremen, he also serves as artistic director of the Dornum Baroque Organ Concerts.
High Resolution 24-bit / 96 kHz



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